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Bulletin bibliographique des études sur la littérature et le fim populaires: science-fiction, fantastique, fantasy, polar, bandes dessinées, wetern, etc Introduction: Places on the edge -- Part 1. Jack London imagines the suburban frontier -- Real estate and race: imagining the second circuit of capital in sunbelt cities -Imagining Portland's urban growth boundary: planning regulation as cultural icon, with Joy Margheim -- Jim Rockford or Tony Soprano: coastal contrasts in American suburbia -- On the sidewalks of Los Angeles -- Part 2. Continental refuge -- West by southeast: Pater Matthiessen's Florida trilogy as western fiction -- Cascadian dreams: imagining a region over four decades -- Rocky Mountain refuge: constructing "Colorado" in science fiction -- The light on the horizon: imagining the death of American cities -- Part 3. Planetary pioneering -- Firefly, westerns, and western history -- Homesteading on the extraterrestrial frontier -- Falling into history: the imagined wests of Kim Stanley Robinson. Depuis un an, en effet, Pascal Jonard et Marcel Chameau se sont attelés, en compagnie du Berruyer Gilles Barillier, à une biographie de l'écrivain, né le 23 août à Moulins, mort le 24 janvier à Chambon-sur-Voueize Creuse.

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Bulletin bibliographique des études sur la littérature et le fim populaires: science-fiction, fantastique, fantasy, polar, bandes dessinées, wetern, etc Introduction: Places on the edge -- Part 1. Jack London imagines the suburban frontier -- Real estate and race: imagining the second circuit of capital in sunbelt cities -Imagining Portland's urban growth boundary: planning regulation as cultural icon, with Joy Margheim -- Jim Rockford or Tony Soprano: coastal contrasts in American suburbia -- On the sidewalks of Los Angeles -- Part 2.

Continental refuge -- West by southeast: Pater Matthiessen's Florida trilogy as western fiction -- Cascadian dreams: imagining a region over four decades -- Rocky Mountain refuge: constructing "Colorado" in science fiction -- The light on the horizon: imagining the death of American cities -- Part 3.

Planetary pioneering -- Firefly, westerns, and western history -- Homesteading on the extraterrestrial frontier -- Falling into history: the imagined wests of Kim Stanley Robinson. Depuis un an, en effet, Pascal Jonard et Marcel Chameau se sont attelés, en compagnie du Berruyer Gilles Barillier, à une biographie de l'écrivain, né le 23 août à Moulins, mort le 24 janvier à Chambon-sur-Voueize Creuse.

Introduction : small talk -- The novel truth -- The sheep pen murder -- Scenes of writing -- The other side of writing -The gendered eye -- Sex talk -- The women of Peyton Place -- Excitable fictions -- Epilogue : memento mori.

Owing to their controversial position in the literary marketplace, novelists like Wilkie Collins, Mary Elizabeth Braddon, Charles Reade and Ellen Wood developed a keen interest in professional issues, which occupy centre stage in their ss narratives.

She shows how sensation novelists provocatively represented the challenges faced by both elite and rising professionals, who are used as narrative vehicles for thorny discourses on authorship, ethicality, aestheticism and sociocultural identity.

Examining the Victorian serial as a text in its own right, Catherine Delafield re-reads five novels by Elizabeth Gaskell, Anthony Trollope, Dinah Craik and Wilkie Collins by situating them in the context of periodical publication.

She traces the roles of the author and editor in the creation and dissemination of the texts and considers how first publication affected the consumption and reception of the novel through the periodical medium.

This book, focusing on authors of series fiction and particularly of humorous stories, profiles 29 writers and their black characters in detail, with brief entries covering 72 others. Biographies , , pages. Marin, chasseur de phoques, boxeur, chauffeur, repasseur, mineur, correspondant de guerre, vagabond du rail, chômeur, clochard, Jack London vécut dans sa courte existence plus de mille vies.

Sa bibliographie, qui compte une cinquantaine de volumes, comprend des nouvelles, des romans, des pièces de théâtre, des articles, des reportages, des discours enflammés au nom du socialisme. Misérabilisme et populisme en sociologie et en littérature, Paris, Seuil, Points , , pages.

Face à la culture populaire, les intellectuels tombent fréquemment dans deux écueils symétriques. Jack London was a writer, but more than that, he was an adventurer who wrote about his adventures. Growing up working class in San Francisco, London diligently scrounged out a life riding trains, pirating oysters, working on a sealing ship, and working at a cannery, all the while using his free time to hole up in libraries reading novels and travel books.

A harrowing voyage aboard a sealing ship, where he and the crew were almost killed by a typhoon, convinced him to start writing stories. Through close reading of the works of Charles Dickens, Emily Brontë, Alfred Lord Tennyson, Thomas Hardy, and others, this study illuminates the treasuring of objects that had belonged to or touched the dead.

Savants fous, philosophes oubliés, auteurs de pièces injouables ont leur place dans la bibliothèque invisible qui double les bibliothèques réelles et les révèle. The courtship plot dominates accounts of the Victorian novel, but this innovative study turns instead to a narrative phenomenon that upends its familiar conventions: the bigamy plot.

In hundreds of novels, plays, and poems published in Victorian Great Britain, husbands or wives thought dead suddenly reappear to their newly remarried spouses. In the sensation fiction of Braddon and Collins, these bigamous revelations lead to bribery, arson, and murder, but the same plot operates in the canonical fiction of Charlotte Brontë, Dickens, Eliot, Thackeray, and Hardy.

Oublier des péchés? Berny Sèbe explores in comparative perspective the ways in which heroes of the British and French empires in Africa were selected, manufactured and packaged from the height of 'New Imperialism' until the Second World War.

He uncovers the media processes and publishing stories behind the legends of a dozen imperial heroes on both sides of the Channel, offering a comprehensive analysis of a phenomenon which was at the heart of popular imperialism. Romancier prolifique et grand voyageur, Pierre Benoit a publié une quarantaine de romans. Luc Rasson — Modernité de Pierre Benoit? Thierry Ozwald — Pierre Benoit, un disciple de Mérimée.

Stéphane Héaume — Pour Pierre Benoit. Taschenbücher und ihre Verlage, Marburg, Tectum Verlag, , pages. Above all, we have a primitive urge for retributive justice that real-life institutions in charge of maintaining law and order seldom satisfy.

Narratives of lonely heroes of the wild west as well as solitary urban vigilantes offer a fantasy scenario that justifies the use of counterviolence in setting things right. In this book, Henry Bacon argues that cinematic means are used effectively either to make violence appear palatable, acceptable, enjoyable, funny — or genuinely horrible.

Il cinema di Armando Crispino, Milano, Bloodbuster, , pages. Préface de Francesco Crispino. Il mondo movies italiani, Milano, Bloodbuster, , pages. La comédie américaine suscite aujourd'hui un fort intérêt public et critique, notamment lié à l'ensemble des productions réunies sous le nom de Judd Apatow.

Une quinzaine de chapitres de longueur et de registre variés dessinent ici la situation d'un genre désormais omniprésent, au cinéma et à la télévision, sur scène comme dans les vies. Ce sont des fragments et des notes, des légendes et des portraits, des lectures de scènes et parfois de textes. Certains s'attachent s à un motif, la honte, la citation ou la métaphore Griffith à lint Eastwood, un héros populiste pour unir ou diviser le peuple?

L'idéologie populiste apparaît dans les premiers films américains. D'abord chez D. Après son déclin lors des années cinquante, le populisme hollywoodien va renaître dans les années soixante-dix avec des personnalités comme Clint Eastwood, Sam Peckinpah ou Michael Winner. Les années quatrevingt vont prolonger ce retour avec le double mandat de Ronald Reagan.

Oliver Stone, Sylvester Stallone ou encore John Carpenter ont continué à propager un message très proche de la tradition populiste américaine, avec notamment la mise en valeur de l'homme de la rue face à la corruption et la trahison des élites.

Nous verrons donc si, de D. Griffith à Clint Eastwood, la fonction du héros populiste est de diviser ou d'unir le peuple américain? Il cinema della segregazione femminile, Milano, Bloodbuster, , pages. La violenza nel cinema contemporaneo, Milano, Mimesis, Mimesis Cinema , , pages. Shoedsack, Piombino, Ass. Culturale Il Foglio, , pages. Les séances ont commencé dans les rues, les cours ou les cafés.

Puis surgirent les salles aux noms grandioses, tout droit venus d'Europe : Rex, Vox, Palace ou Palladium Nous sommes en Afrique subsaharienne, sous domination française ou britannique, dans la période de l'entre-deuxguerres : Fantômas, Tarzan, Les Trois Mousquetaires, King Kong font désormais partie d'un paysage culturel partagé.

Tandis que John Wayne ou Gary Cooper deviennent des modèles pour des générations de jeunes gens en quête de repères. Historische und ästhetische Berührungspunkte, Bielefeld, transcript Verlag, , pages. Moderne Klassiker des populären Films, , pages. Analysing adaptations such as The Woman in White and North and South, alongside original drama such as Murder Rooms and factual history programming such as The House and What the Victorians Did for Us, the book adopts a thematic approach to trace intertextual links across a wide range of programming.

In the beginning -- The studios and the stars -- The Hollywood style and the production code -- The distressing legacy of D. Griffith -- Silent comedy -- Between the World War I and the coming of sound -- The coming of sound -- American film and the Great Depression -- The depression era gangster film -- Comedy, Capra, and monsters -- -- Hollywood and WWII -- Directors of the forties: John Ford, Orson Welles -Alfred Hitchcock -- Film noir -Hollywood after WWII -- Ford, Welles, and Hitchcock in the s -- Science fiction in the s -- New methods in acting and new directions in filmmaking -- Decline and renewal -- Women, men, and superheroes -New technologies present -- Rise of the modern documentary present -- Outside Hollywood: Stanley Kubrick -- The new Hollywood and after Part one -- The new Hollywood and after Part two -- American film in the s and s -- Glossary.

Raymond Bellour: Why Lang could become preferable to Hitchcock. Frances Guerin: While not looking: the failure to see and know in Dr. Mabuse, Der Spieler and The testament of Dr. Nicole Brenez: Symptom, exhibition, fear: representations of terror in the German work of Fritz Lang.

Paul Dobryden: Spies: postwar paranoia goes to the movies. Olga Solovieva: Identifying the suspect: Lang's M and the trajectories of film criticism. David Phelps: The medium's re-vision or the doctor as disease, diagnostic, and cure. Part two: myths, legends and tragic visions. Chris Fujiwara: Beyond a reasonable doubt and The caesura. Steve Choe: Redemption of revenge: Die Nibelungen. Tom Conley: It was a horserace sorta: fortunes of rancho notorious.

Part three: matters of form. Brigitte Peucker: Fritz Lang: object and thing in the German films. Anton Kaes: A stranger in the house: Fritz Lang's fury and the cinema of exile. Vinzenz Hediger: "I'd like to own that painting": Lang, Cezanne and the art of omission.

Pamela Robertson Wojcik: Tumbling blocks and queer ladders: notions of home in The big heat. Paolo Bertetto: Metropolis and the figuration of Eidos. Part four: rediscoveries and returns. Lutz Koepnick: Not the end: Fritz Lang's war. Carlos Losilla: Suspended modernity: on the last five films of Fritz Lang.

Adrian Martin: The limit: House by the river. From Japanese horror to South Korean revenge thrillers, and from the new Hong Kong crime film to Thailand's boundary-breaking ghost stories, Western audiences have been stunned by a boom in challenging cult cinema from East Asia over the last decade. But how did this cycle of 'Extreme' Asian films gain such notoriety? How did distribution companies, journalists, critics and censors contribute to the rise of a new genre of forbidden foreign cinema?

Ces dix dernières années, des séries comme Breaking Bad, Les Sopranos et Mad Men ont volé la vedette au cinéma dans le domaine de la culture populaire. Avec pour ambition affichée de faire tomber les barrières qui limitaient la télévision commerciale depuis de trop nombreuses décennies, des chaînes comme HBO, AMC et ABC ont inauguré une nouvelle ère de la narration cinématographique. Saggi , , pages. Philippe St-Germain propose une réflexion polyvalente sur la greffe dont parle la culture - littéraire et cinématographique - et ses uvres d'imagination, comme ""Frankenstein"" de Mary Shelley, ""L'île du docteur Moreau"" de H.

Entre la tentation prométhéenne du nouvel homme grâce à des greffes qui tentent de déjouer l'ordre imposé par la nature et la chirurgie réparatrice qui règle un dysfonctionnement, ou encore la chirurgie esthétique, la greffe entretient un rapport complexe et ambigu avec la normalité.

The Hollywood Action and Adventure Film presents a comprehensive overview and analysis of the history, myriad themes, and critical approaches to the action and adventure genre in American cinema. Essais , , pages. Hakim 2. The Transtextuality of James M. Some African American authors did take up the challenge. Carter have written detective fiction focusing on questions of constitutional law, civil rights, biological and medical issues, education, popular culture, the criminal justice system and matters of social justice.

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